,

• Quixote and Sancho, Julia Bolshakova, MBKcentre.com, [2002]
• Eternal Images in Modern Dramaturgy, Yekaterina Kislyarova, Russian Culture Navigator, [18-12-2001]
• The Pie?s Tasty Top Layer, Natalia Kaminskaya, Culture, [27-09-2001]
• The Knight with the Melancholy Voice, Irina Korneeva, Vremya MN, [21-09-2001]
• “Stage Makes Room for Playwright's Tragic Figure“, John Freedman, The Moscow Times, [13-09-2001]
• “Quixote and Sancho Visit the Vysotsky Center“, Where in Moscow?, [09-2001]
• Sancho Panza No. 12, Vedomosti, [28-08-2001]
• „Cooperation Not Competition: Moscow's Theater Olympics”, John Freedman, The New York Times, June 10, 2001, [10-06-2001]
• „Harmony is Dead: Long Live the New Age of Polyphony”, John Freedman, The Moscow Times, May 24, 2001, [24-05-2001]
• Alexander Bakshi and His Mythological Theatre of Sound, John Freedman, TheatreForum, [2001]
• “Imagination is the Most Authentic Power“, OnLife.Ru, [2001]
• Oksana Mysina, the Violin-Woman, Harper's Bazaar, [11-2000]
• “K. I.” in Provence, Theater Life, No. 1, 1998, pp. 9-11., [1998]
• Oleg Yefremov Gives a New Role to Oksana Mysina, The Week, [11-1997]
• “Neither Parliament nor Church; The Russian Stage Changes Complexion“, Le monde, [15-07-1997]
• A Woman Unused to Retreating, Screen and Stage, [20-07-1995]
• Three Sisters in the Labyrinths of Time, Culture, p. 8, [4-03-1995]
• The Music of Pain, Sudarushka /Miss/, pg. 10, [7-02-1995]
• K. I. Then and Now, Utro Rossii /The Morning of Russia, [5-01-1995]
• , [1995]